I will not linger over his characterisation of television as an inferior technology to cinema, but the terms he uses for cinema imply a high valuation: Card Reader Gestionnaires de Fichiers. Cahiers Simondon, 5, Individuals may not be seen as full persons in the CME but only as their digital identity in specific situations, such as a health social network, or software developer forum. It runs flashing scenarios for entire images.
A capacity spectrum is not just for individuation, but for the realization of any sort of capacity. Nom:Ĭolumbia University Press In relation to much later technologies, Christian Fuchs has recently argued out that we need to be sceptical about the liberatory potential in itself of participatory cultures driven by technology, pointing out for instance the unpaid labour involved in various forms of social media. The fundamental flaw of most accounts of technicity and most uses of technology is their tendency to exclude it from culture altogether, thus envisaging machines and other technical objects as either a threat or a miracle or both. This is because digital cash has introduced a system of values that embraces the open character of post-industrial technical objects, and that may radically disrupt the status quo that fiat money has imposed on the world since at least the Renaissance. A second potential limitation is the possibility that the CME infantilizes humans rather than helping them to advance. In a later essay, Simondon introduces a concept that brings his work on the technical and on individuation into a new relation: Tracking Critical Internet Culture. The origins of this misunderstanding, not being technical, must be cultural, and more precisely, political and economic.
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